Authors: Katherine Alarcio, Janice Boychuk, Lauren Fagaragan, Chet-Yeng Loong, and Kevin Morita.
Music
The primary central focus is to introduce students to musical elements: rhythm. Students will be able to perform quarter, pair-eighth notes, and ta-a, reading from music notation. Students will be able to abstract rhythm patterns that they hear.
Learning objectives:
SEL:
The focuses of this unit are to guide students to explore self-awareness and relationship skills.
HĀ: #4e, g, h: Strengthened Sense of Aloha; #5e, g, h: Strengthened Sense of Total Well-being.
FOCUS | KNOWLEDGE/SKILLS | DANCE |
RHYTHM |
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Key Questions: |
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Entrance Task/Check-In: (be sure to review virtual class norms)
Teacher-led Instruction (“I do”):
From last time, discuss responses from homework (Samoan Sasa SEL).
Teacher-led Instruction (“I do”):
Review motions for Samoan Sasa. Remind students about the iconic notation and how some rhythms have two sounds/syllables on the beat while others have one sound/syllable.
Guided/Collaborative Practice (“We Do”):
Show students the music notation for the Samoan Sasa. Have students perform by clapping and saying the rhythm syllables.
Independent Practice (“You do”) or Group-work with deliverable:
Teacher-led Instruction (“I do”):
2/4 meter has two beats in each measure and the quarter note carries the beat. If we replace the bottom number, 4 with a quarter or “ta” note, we may also call the meter “2/ta meter.” Duple means the number 2, thus, this is also called “simple duple” meter.
Guided/Collaborative Practice (“We Do”):
Teacher-led Instruction (“I do”):
Guided/Collaborative Practice (“We Do”):
Teacher-led Instruction (“I do”):
Label ta-a: A half note (ta-a) is formed when two quarter notes (ta) are tied together. A ta-a lasts for two beats. Teacher leads four beat echo patterns using ta, ti-ti, and ta-a.
Rhythm
A quarter (ta) note is one sound/syllable per beat, when two quarter notes are tie together, it will form half note, which consists of two beats.
Guided/Collaborative Practice (“We Do”):
Remember the song “Mary Had a Little Lamb”? Sing it while patting the steady beat. Let’s try to identify the rhythm patterns in the song. Use SMARTBoard or you can print out individually for students.
Phrase 1:
Phrase 2:
Independent Practice (“You do”) or Group-work with deliverable:
Students read the music notation for “Mary Had a Little Lamb” and perform it by clapping and saying the rhythm syllables. They can break into pairs and give each other feedback based on the rubric.
Allow SPED students to share verbally or to draw responses.
Students may sign with hand signs by modeling the teacher (no notation).
Depending on ability level, they may abstract just a chunk of the song using manipulatives.
They may also utilize a feelings chart when discussing musical style and feelings.
Formative - informal observations of students performing Rhythms Set 1 video (check for rhythmic accuracy); students clap and say rhythm syllables for “Mary Had a Little Lamb” and give peer feedback according to the rubric.
Summative - Later, students can repeat the “Mary Had a Little Lamb” activity performing it for the teacher as a formal assessment. Unit Summative will come at the end of Lesson 3.
Exit task:
Reminders: Have students complete SEL questions for the Samoan Sasa for homework.